Eric Carle: My Very Special Scrapbook 我的剪贴簿 ISBN 9780448450858 下载 pdf 百度网盘 epub 免费 2025 电子版 mobi 在线

　　Eric Carle's beloved and well-known characters take on a life

of their own in this new scrapbook format. It encourages kids to

jump into Carle's world by drawing and coloring in the characters

that live in their own imaginations. In addition, kids can fill in

the answers to questions such as "I like to draw __," "My favorite

color is__," and "I like to collect__" in the "About Me"

section.

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　　Name: Eric Carle Biography Ever since he began innovating the

look and function of children's stories in the late 1960s, Eric

Carle has remained an author whose stories reliably hit the

bestseller lists and remain on kids' bookshelves through

generations. He began as a designer of promotions and ads, and one

illustration of a red lobster helped jump-start his career. The

lobster caught the eye of author Bill Martin, Jr.; Martin asked

Carle to illustrate the now-classic 1967 title Brown Bear, Brown

Bear, What Do You See? and a career was born. Born in Syracuse, New

York but brought by his immigrant parents back to Germany when he

was six, Carle was educated in Stuttgart and designed posters for

the United States Information Center there after graduating from

art school. He finally returned to the country he missed so much as

a child in 1952. He eventually began procuring work on children's

titles, and found himself becoming increasingly involved in them.

"I felt something of my own past stirring... read more Name: Eric

Carle Current Home: Northampton, Massachusetts and the Berkshires

Date of Birth: June 25, 1929 Place of Birth: Syracuse, New York

Education: Akademie der bildenden Künste, Stuttgart, 1946-50 *Eric

Carle'sofficial web site Biography Ever since he began innovating

the look and function of children's stories in the late 1960s, Eric

Carle has remained an author whose stories reliably hit the

bestseller lists and remain on kids' bookshelves through

generations. He began as a designer of promotions and ads, and one

illustration of a red lobster helped jump-start his career. The

lobster caught the eye of author Bill Martin, Jr.; Martin asked

Carle to illustrate the now-classic 1967 title Brown Bear, Brown

Bear, What Do You See? and a career was born. Born in Syracuse, New

York but brought by his immigrant parents back to Germany when he

was six, Carle was educated in Stuttgart and designed posters for

the United States Information Center there after graduating from

art school. He finally returned to the country he missed so much as

a child in 1952. He eventually began procuring work on children's

titles, and found himself becoming increasingly involved in them.

"I felt something of my own past stirring in me," he wrote in a

2000 essay. "An unresolved part of my own education needed

reworking, and I began to make books -- books for myself, books for

the child in me, books I had yearned for. I became my own teacher

-- but this time an understanding one." He began his career with

the 1968 title 1, 2, 3 to the Zoo; but his next title, The Very

Hungry Caterpillar, is what still endears him to young readers

today. Employing his bright, collage style and lending an immediacy

to the tale by manifesting the caterpillar's hunger in actual holes

in the pages, Carle began what would be a long career of creative

approaches to simple stories. From the chirp emerging from The Very

Quiet Cricket to the delightful fold-out pages in Papa, Please Get

the Moon for Me, Carle's books provide surprises that make his

stories come alive in ways that many titles for preschoolers do

not. Carle's style, with its diaphanous, busy and bold artwork, is

perfect for engaging new readers. His stories are also popular with

parents and educators for their introductions to the natural world

and its cycles. It's a particular pleasure to follow Carle into

different corners of the world and see what can be learned from the

creatures who live in them. Good To Know Regularly asked where he

gets his ideas, Carle is quoted on his publisher's web site as

responding: "Of course, the question of where ideas come from is

the most difficult of all. Some people like to say they get ideas

when they're in the shower. That's always a very entertaining

answer, but I think it's much deeper than that. It goes back to

your upbringing, your education, and so forth." He does say,

however, that the idea for The Very Hungry Caterpillar came when he

whimsically began punching holes in some paper, which suggested to

him a bookworm at work. His editor later suggested he change the

bookworm to a caterpillar, and the rest is history. Carle was

unhappy to be in Germany when his immigrant parents brought him

back there as a child. He hated his new school and wanted to go

back to America. He said: "When it became apparent that we would

not return, I decided that I would become a bridge builder. I would

build a bridge from Germany to America and take my beloved German

grandmother by the hand across the wide ocean." Before he became a

freelance illustrator and began working on children's books, Carle

worked as a graphic designer for the New York Times and as art

director of an ad agency. Feature Interviews In 1999, Carle spoke

with Barnes & Noble.com about his inspirations, his stories,

and what was potentially his last "Very" book, The Very Clumsy

Click Beetle. From The Very Hungry Caterpillar to The Very Lonely

Firefly, Eric Carle's bestselling "Very" books have dazzled and

delighted kids everywhere. Now Carle's created a brand-new "Very"

book about a clumsy little click beetle who can't seem to land on

his feet. However, when it matters most, he finally succeeds --

saving his own life in the process. This winning story of

perseverance and pride in achievement also has an ingenious,

interactive surprise -- a hidden sound chip provides an audible

"click" each time the reader turns the page. How did you come up

with the idea for The Very Clumsy Click Beetle? I like little bugs

and insects, and I know that they have become my signatures -- but

it's not an artificially arrived-at signature. I grew up fascinated

by little worms, bugs, and insects. I suppose my father had a lot

to do with it.... In our walks around the garden, he would point

out these little insects to me. Maybe it was because in Germany we

didn't have elephants, giraffes, or other large animals, so I had

to settle for liking little creatures-ants, worms, and bugs. But

don't you think that most little boys and little girls seem to have

an interest in them, too? There are so many surprising things about

insects -- their life cycles, for instance. Some, like cicadas,

take seven years to hatch, and then only live for a week or so! Why

would nature do that? Recently, I was reading about butterflies,

and to my surprise, I discovered that one species is carnivorous!

It eats other insects. And ants are amazing! There are so many

different kinds of ants in the same colony, each with its own

specialization -- builders, fighters, food hunters, and harvesters

-- some even build mushroom cellars! Fascinating! The click beetle

might seem at first like a dull little guy, but it has this

remarkable ability to flip through the air, and I found that very

interesting. I learned that adult click beetles have this wonderful

ability, but do you know that they land on their feet only 50

percent of the time? One out of two attempts is not successful.

Don't you think that's strange? What did nature have in mind when

it designed a bug that has only a 50 percent chance of getting out

of harm's way? The click beetle is an insect I had been thinking

about for some time. Perseverance seemed to be the natural theme.

Because click beetles land on their feet only 50 percent of the

time, it takes perseverance to get really good at it. Of course,

that is an anthropomorphic point of view. My little insects are

metaphors for children, who have the same problems of learning to

walk, to talk, to run, etc. So the importance of stick-to-itiveness

became the theme for The Very Clumsy Click Beetle. Do you have a

favorite animal? No, I like to learn about all animals and insects.

How long did it take to produce The Very Clumsy Click Beetle? The

Very Clumsy Click Beetle has gone through the same process that

most of my books do. An idea begins with a blip, a fragment that

gradually grows. It grows sometimes quickly, sometimes slowly (some

ideas never mature) -- parts of it develop effortlessly, other

parts develop painfully. Sometimes I feel it's the best ever, or

the worst ever. This process can take a year or more, steadily on

and off. The production of The Very Clumsy Click Beetle embodied

the message of perseverance. Because of technical difficulties the

publication date was delayed one full year. But we (publisher,

printer, binder, and I) did, in the end, make it work. When did you

start doing collage art? Is this your favorite medium to work in-or

is it because it's your trademark that you continue to illustrate

in this style? I learned collage in art school. After art school I

was a poster artist. I always liked big, bold images, which are

important in poster design. I love to do collages -- the whole

process of it -- painting tissue papers, storing them, handling

them, cutting and tearing out shapes. When you were a child, did

you always know you'd be an artist of some sort? Did your parents

encourage you? Yes. Before I knew the word "artist" or the concept

of art, I knew I would draw pictures. It was my favorite occupation

at that time of my life. My parents were very supportive, and my

relatives brought me watercolors and papers and crayons. My mother

would proudly show off my work to anyone who happened to come by.

Your books are so intuitive about children's thoughts and feelings.

How do you know so well what will touch and engage kids? The

underlying topics that are addressed in each of the books you

mention are indeed very basic and universal desires and needs. Very

basic ideas. In the books, these lessons are camouflaged, are not

didactically presented; they are not the primary concerns of my

books. The primary concern is to tell a good story, to impart just

sheer fun and then, secondarily, to educate or to convey some

useful idea. In part, the ideas come from my own philosophical

thoughts and musings. My ability to write them simply and in a way

that children can easily understand is intuitive. I try not to

intellectualize too much about the ideas in my books. I do remember

my own childhood feelings and emotions quite clearly; perhaps this

helps me to understand the basic needs and interests of the young

children for whom I create my books. Other than that, I really

don't know how I do it. Either you have intuition or you don't. And

you have to trust your intuition, too. Trust that it's not going to

lead you away from the point you are trying to make, and trust that

it is correct in terms of the child reader. Because you've

established such a stellar reputation, do you find it is more

difficult to create books (i.e., a lot is expected of you)-or in

fact, is it easier (i.e., you have more clout, so you can do what

you want)? Sometimes I am convinced that I will not do books

anymore, but then I come up with an idea -- what can I do? Yes, a

lot is expected of me and yes, I do have some clout. That is the

time to be most careful. But my state of mind (working,

illustrating, writing) while I am doing a book has never changed.

Are you planning to do more "Very" books in the future? Are you

working on any other books now? I'm not planning more "Very" books.

And yes, I am working on other books, but will not mention them. If

I do, I'll put a hex on them.

　　艾瑞·卡尔

　　1929年6月25日出生于美国纽约州的锡拉丘兹。他的父母都是德国人，6岁时，随父母一起搬回到了德国。艾瑞克·卡尔讨厌德国式的教育，16岁那年从高中退学，在老师的劝说之下，在斯图加特一所有声望的美术学校学习了四年的视觉艺术。还是在学期间，就为美国情报中心绘制了一系列的海报。毕业后，他曾在一家时尚杂志担任艺术指导，但他太怀念儿时美国那间洒满了阳光、可以自由画画的教室了，太想回美国了，终于在1952年23岁那年，兜里揣着四十美元，又一个人回到了阔别了十七年的纽约。他给当时担任《财富》杂志艺术总监、后来以《小蓝和小黄》《小黑鱼》等作品闻名于世的李欧·李奥尼打了一个电话，李欧·李奥尼不但请他吃了一顿午饭，还给他介绍了一份工作。

　　他年近四十才开始创作图画书，迄今为止，已经创作了《棕色的熊，棕色的熊，你在看什么？》（Brown Bear, Brwon

Bear, What Do You See?，1967）、《1，2，3，去动物园》（1,2,3 To The

Zoo，1968）、《好饿的毛毛虫》、《好忙的蜘蛛》（The Very Busy

Spider，1985）、《爸爸，请为我摘月亮》（Papa, Please Get The Moon For

Me，1986）等七十多本色彩缤纷的拼贴画风格的图画书，被翻译成了三十多种语言，小读者遍布世界各地。2002年12月，他的个人美术馆——艾瑞克·

卡尔图画书美术馆在马萨诸塞州开馆，这也是美国的个图画书美术馆。

　　不过，在很长的一段时间里，他的图画书并没有得到应有的评价，他甚至没有得到过凯迪克奖，这是因为批评家们不喜欢把书降低到像玩具一样的位置。2003年，为了弥补这一缺憾，美国图书馆协会授予他劳拉·英格尔·槐尔特奖，这也可以算是对他作品的艺术性表示的一种迟到的承认吧。

　　现在，他和妻子芭芭拉住在马萨诸塞州的北安普敦市。

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编辑推荐

　　世界知名童书大师艾瑞˙卡尔擅长用鲜明的色彩、丰富的图像，融合自创一格的拼贴，表现出儿童纯真且充满幻想的世界。

        艾瑞

卡尔的世界总是彩色的，为什么这本书确实黑白的呢？因为这本书需要小朋友们拿起画笔构造一个属于自己的彩色世界~同时，书中也有很多环节需要结合自己的实际情况来完成，比如介绍自己的家这一页，书中会留出一片空白让小朋友画出自己的家人，然后再用英文填空的形式带领小朋友们对自己及家人进行简单的介绍，让孩子们充分发挥自主能动性及想象力，也是家长们不可错过的亲子活动~

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